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Scream 7 review
A new Ghostface has set its sights on Tatum Evans, the daughter of Sidney Prescott. Now living a quiet domesticated…
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‘Hamnet’ review: delightfully painful
Chloe Zhao’s Hamnet surprised—delighted, actually—me at its final act. At the start of the movie, I thought that it would…
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‘Wuthering Heights’ review: a cautionary tale
I think it’s clever that Wuthering Heights features actors who have some of the most beautiful faces in the industry…
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‘Send Help’ review: Who will outwit, outplay, and outlast?
If Survivor would become a movie, this is probably it. In Send Help, director Sam Raimi returned to form by…
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‘Mercy’ review: Edge-of-your-seat thrill makes up for its shortcomings
There are times when movies don’t need to say or do too much to be interesting, or even entertaining. A…
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‘Primate’ review: no monkey business here
Johannes Roberts’ creature suspense-horror film Primate means serious business. It’s full-on gore and violence. It gets too brutal it can…
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‘Shake, Rattle & Roll: Evil Origins’ review
Evil is back in Regal Entertainment’s Shake, Rattle & Roll: Evil Origins. Horror goes full circle in the 17th installment…
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‘Rekonek’ review
Director Jade Castro brings together an ensemble cast in Rekonek, a movie that tackles the consequences of a world that…
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‘Manila’s Finest’ review
Piolo Pascual headlines Manila’s Finest, a crime-thriller directed by Raymond Red and supported by a powerhouse ensemble including Enrique Gil,…
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‘Unmarry’ review
In her comeback movie, Unmarry, one of the industry’s finest actresses takes on a role that boldly raises a question…

