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‘The Bride!’ review: stitched together stylishly
Just like the story from which the movie was based on, the film feels stitched together from wildly different parts.…
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‘Hoppers’ review: unexpectedly great
Director Daniel Chong’s Hoppers is (unexpectedly) one of Pixar’s funniest and most entertaining movies. 2025’s Elio was underwhelming. And while…
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‘Scream 7’ review: nostalgia screams louder than fear
When it was announced that Neve Campbell would be returning to the Scream franchise, fans were delighted. I know I…
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‘Send Help’ review: Who will outwit, outplay, and outlast?
If Survivor would become a movie, this is probably it. In Send Help, director Sam Raimi returned to form by…
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‘Mercy’ review: Edge-of-your-seat thrill makes up for its shortcomings
There are times when movies don’t need to say or do too much to be interesting, or even entertaining. A…
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‘Primate’ review: no monkey business here
Johannes Roberts’ creature suspense-horror film Primate means serious business. It’s full-on gore and violence. It gets too brutal it can…
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‘Shake, Rattle & Roll: Evil Origins’ review
Evil is back in Regal Entertainment’s Shake, Rattle & Roll: Evil Origins. Horror goes full circle in the 17th installment…
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‘Manila’s Finest’ review
Piolo Pascual headlines Manila’s Finest, a crime-thriller directed by Raymond Red and supported by a powerhouse ensemble including Enrique Gil,…
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‘Unmarry’ review
In her comeback movie, Unmarry, one of the industry’s finest actresses takes on a role that boldly raises a question…
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‘Call Me Mother’ review
Director Jun Lana reunites with Vice Ganda in this year’s comedy-drama Call Me Mother. One of this year’s highly anticipated…


