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‘Quezon’ movie review: Unveiling a hero’s persona

Jerrold Tarog’s Quezon couldn’t have come at a better time. The final film in the highly...

‘One Battle After Another’ review: one of this year’s best

One good indicator of a great movie is if it flies by despite its lengthy runtime (2 hours and 43...

‘Caught Stealing’ review: a wild, raucous, enjoyable ride

What I appreciate about movies like Caught Stealing is their ability to take the audience along on a...

‘Sunshine’ movie review: Maris Racal gleams like sunshine

Maris Racal is brilliant as Sunshine in Antoinette Jadaone’s powerful and moving tale of an...

Movie review: ‘Mission: Impossible – The Final Reckoning’ goes full circle

Everything came full circle in Christopher McQuarrie’s Mission: Impossible – The Final Reckoning...

Death is back–with even more vengeance in ‘Final Destination: Bloodlines’

Death is back and it’s got quite a lot of baggage. It’s been fourteen years since the last Final...

Liza Soberano delivers a scene-stealing performance in “Lisa Frankenstein”

Horror and comedy are, perhaps, the best ways to effectively depict stories about teen angst and the...

“Killers of the Flower Moon” is a beautiful direction of an awful story

Director Martin Scorcese has previously decried superhero movies, claiming they are not cinema...

“Target” is so effectively scary

For a quick few seconds, the opening scene of director Park Hee-kon’s suspense-thriller Target can...